Seldom do we hear a voice of conscience - like the local physician who tells a dispirited Mayer, in the aftermath of the Civil War, that the collapse of the SouthвЂ™s economy should not have come as a surprise. As the Lehmans grow more ambitious, they start buying and selling cotton from the plantations, making their first fortune on it. The brothers settle in antebellum Alabama, where even the earliest iteration of the family firm, a shop selling fabrics and clothing, relies on a local economy built on slavery. This is where the mechanics of the play, with these deft and lovely actors breathing such life into the brothers, coax us into an ease at odds with moral logic as we watch their genteelly brutal acquisition and stockpiling of wealth. When his younger brothers, Emanuel (Lester) and Mayer (Godley), follow him across the ocean, we feel a similar warmth toward them. On first impression, Henry (Beale) is darling, funny and utterly sympathetic. The year is 1844, he is Heyum Lehmann, and in a moment we will see him reborn as Henry Lehman - his moniker bestowed by a port official too obtuse to comprehend the newcomerвЂ™s real name. When investors halted their collective game of make-believe 13 years ago, mammoth financial firms like Lehman Brothers met their swift demise, and the worldвЂ™s markets suffered the aftershocks. Illusion is illusion, after all, and financial markets, like the theater, require a certain suspension of disbelief - though when the fantasy bursts in theater, the fallout is less ruinous. Sort of the way that heedless investors looked right past all warning signs in the faith-based run-up to the stock market crash of 2008. In the captivating production that opened on Thursday night at the Nederlander Theater, it relies largely on an unspoken agreement between actors and audience - to imagine together, and let fancy crowd out fact. Yet it offers almost nothing in the way of spectacle, and only the slightest of costume changes: a top hat here, a pair of glasses there. Much of what happens in вЂњThe Lehman TrilogyвЂќ is invisible to the eye, which is not the way prestige drama usually works onstage.Дirected by Sam Mendes, this British import, which reaches across 164 years of American history to trace the family saga behind the fallen financial powerhouse Lehman Brothers, was a scalding-hot ticket during a brief prepandemic run at the Park Avenue Armory.

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